Skip to make: – A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Key to piano ratings: We have taken as our benchmark U1H Yamaha upright and G3E Yamaha grand pianos made from 1970 to 1980, since they are very common. These are given a rating of 65 = good. Ratings assume the pianos to be restored or reconditioned and in good condition. It must be said, however, that there is a world of difference between a piano that has been well restored, tuned and the hammers voiced, from one of the same make and year that has not been carefully worked on.
0 – 40 = unacceptable
40 – 50 = passable
50 – 60 = fair
60 – 70 = good
70 – 80 = excellent
80 – 90 = superb
90 – 100 = dream piano
Estimates for the number of pianos in the UK vary wildly from 2 to 5 million (figures for 2013). We are using the conservative figure of 2 million. Availability figures are currently being added for each make; so for instance, we estimate that there is about one “Adam” piano for every 5,000 pianos. Therefore there are about 400 Adam pianos in the UK.
Disclaimer: This site is constantly being revised. If you’re in the piano trade and can add or correct any information please let us know.
This video shows the four main types of upright piano mechanism.
NB grand pianos in the UK are about 98% overstung. They are also about 99% overdampers - being over the strings means that gravity helps them to dampen, and the dampers are also located immediately above where the hammer strikes. These factors mean that good grands dampen very abruptly, allowing a clean staccato.
New pianos made in the Far East (excluding Japan)
Many older names such as Waldstein, Bentley, Steinmeyer and Steinbach are now used by companies in China, Korea, Malaysia, Indonesia, etc. They are the same in name only and have nothing to do with the older style pianos.
Key to abbreviations:
s/o = Straight-strung over-damper. This style is on many basic upright pianos; about 35% of all upright pianos in the UK. Straight-strung means the strings go vertically and are not crossed over as with nearly all good and modern pianos, so the bass and tenor string length is shorter and therefore the tone is inferior (There are some exceptions to this rule – e.g. some Bechstein, Lipp and Bluthner.) Over-damper means that the mechanism that shuts off the sound of the string after it’s played is over the hammers, and is inefficient compared to the under-damper system found in good pianos from about 1860 and in all modern pianos.
o/o = Overstrung over-damper. Perhaps 5% of pianos in the UK. They are overstrung like most good pianos but the damping can be poor (see above).
o/u and s/u = overstrung under-damper and straight-strung under-damper. Underdampers are on most good pianos and modern pianos; you can assume that the pianos on the list are this type unless otherwise stated.
Make | Est. | Made by | Made in | G/U | Est’d in UK | Rating | Description |
---|---|---|---|---|---|---|---|
A | |||||||
Adam Gerhard | 1828 | Adam | Wesel, Germany | Grand+Upright | 400 | 60-70 | Generally well made pianos |
Aeolian | 1833 | Aeolian | Various | Grand+Upright | 1500 | 50-60 | Varied. They made many player pianos |
Ajello & Sons | 1862 | Ajello | Manchester, UK | Upright | 1000 | 50-60 | Mostly tall overstrung underdamped uprights with strong tone |
Allison | 1837 | Allison | London,UK | Grand+Upright | 15000; 15% grands | 50-60 | Varied – low to medium quality; some baby grands quite good |
Amyl | C1920 | British piano Co for Coop CWS | London, UK | Upright | 1500 | 40-50 | Honestly made but mostly basic straight strung over dampers |
Archibald Ramsden | 1895 | Ramsden | London, UK | Grand | 800 | 42-52 | Usually straight strung over dampers, but quite well made |
Army and Navy | Unknown | various factories | England | Upright | 1500 | 40-50 | Usually straight strung over dampers, but quite well made |
Ascherberg | 1865 | Ascherberg | Germany | Grand | 800 | 50-60 | Low quality pianos, pre-war company |
Atlas | Est. 1955 | Atlas | Hammatsu, Japan | Grand+Upright | 200 | Due to trade name copyright in the U.S.A, these were sold under the "Tadashi" name, but a few were still sold as Atlas pianos.
Tadashi, Toronto, Canada went out of business on 1987. |
|
B | |||||||
Baldwin | 1862 | Baldwin | Cincinnati, USA | Grand+Upright | 300 | 55-68 | Varied. Most of the ones imported to the UK were basic models |
Barnes W.H. | 1976 | Barnes | London, England | Grand+Upright | 2000 | 45-55 | Nearly all uprights |
Barratt and Robinson | 1877 | Barratt and Robinson | London U.K | Upright | 15000 | 50-60 | One of the last London factories. Satisfactory mid range uprights |
Bechstein | 1853 | Bechstein | Berlin, Germany | Grand+Upright | 30000 | 60-85 | WE RESTORE ALL BECHSTEIN PIANOS. Prolific high quality maker. See specialist Bechstein page Video Available |
Bell | 1864 | Bell | Ontario, Canada | Upright | 800 | 50-60 | Generally overstrung. Very varied, poor to medium quality |
Bentley | 1906 | Bentley | London, England | Upright | 20000 | 45-60 | Very varied, poor to medium quality |
Berry | 1877 | Berry | London U.K | Grand+Upright | 3000 | 45-55 | From very basic overdampers to medium quality overstrung Video Available |
Blankenstein | 1880 | Blankenstein | London & Berlin | Upright | 500 | 50-60 | Varied, gernerally medium quality |
Bluthner | 1873 | Bluthner | Leipzig Germany | Grand+Upright | 20000 | 70-90 | WE RESTORE ALL TYPES OF BLUTHNER PIANOS. Prolific make of high quality pianos. Please see our Bluthner page Video Available |
Bord | 1840 | Antoine, Bord | Paris, France | Upright | 4000 | 45-52 | Mostly small straight strung overdampers c1890-1910 |
Bosendorfer | 1828 | Bosendorfer | Vienna, Austria | Grand+Upright | 1500 | 50-95 | WE RESTORE ALL BOSENDORFER PIANOS. Austrian pianos of high quality. pre 1900 grands have “Viennese” actions Video Available |
Boston | 1991 | Kawai/Steinway | Hamamatsu, Japan by Kawai | Grand+Upright | 1000 | 50-65 | A little mellower in tone than medium priced Kawai. Touch is good. |
Boyd | c.1900 | Boyd | London, UK | Grand+Upright | 20000 | 35-55 | From very basic overdampers to fairly good overstrungs |
Branston | Unknown | Branston | London, UK | Upright | 200 | 50 | Mostly basic pianos |
Brasted | 1823 | Brasted | England | Upright | 4000 | 50-65 | Honest well made British pianos |
Brinsmead, John | 1836 | Brinsmead. From 1967 Kemble | London, UK. | Grand+Upright | 30000 | 50-70 | Very varied prolific English maker |
Brinsmead, Stanley | 1894 | Brinsmead | London, UK | Upright | 500 | 40-50 | Traditional and Modern uprights. |
Broadwood | 1728 | Broadwood | London, UK | Grand+Upright | 80000 | 40-85 | Huge variety of quality; most well made and some superb Video Available |
Broadwood White | 1894 | Stanley Brinsmead | London, UK | Upright | 500 | 40-50 | Straight-strung overdamper half iron frame pianos. |
Brock, Bernard | 1890 | Brock | London, UK | Upright | 400 | 45-48 | Traditional upright pianos |
Brodmann | 1812 | Bosendorfer | Vienna, Austria | Grand+Upright | 200 | 60-75 | Mostly fair quality grand pianos |
Browne, Justin | 1870 | Browne | Euston Road, London | Upright | 500 | 40-50 | Well made but most pre 1890 overdampers |
C | |||||||
Challen | 1804 | Challen | London, UK | Grand+Upright | 90000 | 50-68 | WE RESTORE SELECTED CHALLEN PIANOS. Can be quite reasonable but vary. They make the UK’s most common baby grands |
Chappell | 1811 | Chappell, later Kemble | London, UK | Grand+Upright | 80000 | 50-70 | WE RESTORE SELECTED CHAPPELL PIANOS. Varied but generally good. Old ones can be quite basic |
Churchill | Unknown | Bristol, England | Upright | 1500 | Unknown | Mostly basic straight strung overdamper pianos in a traditional case |
|
Collard and Collard | 1760 | Collard | London, UK | Grand+Upright | 35000 | 40-70 | Extremely varied prolific British maker spanning over 200 years |
Cramer | 1824 | Kemble | London, UK | Grand+Upright | 10000 | 45-68 | Plenty of variety. Many baby grands and post 1900 uprights |
Crane | Unknown | Crane & Son | Liverpool, UK | Grand+Upright | 2000 | 35-50 | Mostly basic uprights |
D | |||||||
Dale Forty | Unknown | Dale Forty | UK & China | Grand+Upright | 7000 | 30-50 | Pre -1950 Dale Forty pianos are basic British pianos |
Danemann | 1892 | Danemann, 1982+: Broadwood | London, UK | Grand+Upright | 20000 | 44-68 | Prolific and varied maker. Please click on name for more details Video Available |
Duck Son and Pinker | 1848 | Bristol Piano | Bath, England | Grand+Upright | 8000 | 35-50 | Mostly basic straight strung overdamper uprights |
E | |||||||
Eavestaff | 1823 | Brasted | London, England | Grand+Upright | 17000 | 35-68 | Mini Pianos generally basic. Baby grands fair. Other uprights medium |
Eberhardt | 1800 | Eberhardt | Berlin, Germany | Upright | 800 | 40-45 | Older Eberhardt Pianos are mostly half-plate iron frame pianos. |
Elysian | Unknown | Morley & Co Ltd | London, UK | Grand+Upright | 1000 | 45-60 | Name used mainly by Morleys of London and also by Chappell. Varied |
Erard | 1777 Paris; 1792 London | Erard | UK & France | Grand+Upright | 1000 | 40-68 | Very varied |
Estonia | 1893 | Estonia Piano Factory | Tallinn, Republic of Estonia | Grand+Upright | 200 | 50-60 | The Estonia grand piano produces a reasonable tone. |
Eungblut, Rogers | c1930 | Kemble | London, UK | Upright | 200 | 50-60 | The name Rogers Eungblut was used by Kemble in about 1930 |
F | |||||||
Fazer | 1960 | Hellas | Helsinki, Finland | Grand+Upright | 6000 | 55-68 | Modern pianos. Fazer are generally good with rich bass and firm touch Video Available |
Fazioli | 1980 | The Fazioli Factory | Sacile, Italy | Grand | 100 | 85-95 | Fazioli was established in 1981 |
Feurich | 1851 | Feurich | Germany, China & Austria | Grand+Upright | 1500 | 65-75 | Old and modern ones well made Video Available |
Forster, August | 1851 | Forster | Lobau, Germany | Grand+Upright | 4000 | 55-70 | Vary varied in quality – passed through “Iron curtain” phase |
Fuchs & Mohr | 1921 | Eisenberger Pianofortefabrik | Eisenberg, Germany | Upright | 4000 | 40-55 | Nearly all Fuchs and Mohr pianos in the UK are small modern pianos with mahogany cases. |
G | |||||||
Giles | Unknown | Giles Pianos Ltd | London, UK | Grand+Upright | 1000 | 50 | Small uprights Giles was a name used by Zender |
Godfrey | 1885 | Godfrey | London, UK | Upright | 7000 | 35-48 | Mostly basic uprights: straight-strung and over-damped |
Gors & Kallmann | 1877 | Albert Meyn | Berlin, Germany | Grand+Upright | 15000 | 50-70 | Older uprights overdampers but good tone. Baby grands generally good; modern Chinese ones not yet rated. Video Available |
Grotrian Steinweg | 1858 | Grotrian Steinweg | Braunschweig, Germany | Grand+Upright | 6000 | 60-90 | Prolific make of high quality pianos. Uprights 1900 to 1930 outstanding Video Available |
H | |||||||
Haake, Karl | 1903 | Haake | Hannover, Germany | Grand+Upright | 1000 | 50-60 | Unique, warm and interesting tone; mostly 1880 to 1910 |
Hellas | 1901 | Hellas Piano co | Helsinki, Finland | Upright | 500 | 50-60 | Hellas are similar to Fazer but action generally not as good |
Hickie & Hickie | 1894 | various factories | London, UK | Upright | 15000 | 35-48 | Mostly basic straight strung overdampers 1890 – 1910. later overstrung |
Hoffmann | 1893 | Unknown | Various | Grand+Upright | 800 | 50-75 | Name used on both basic British and high quality German pianos Video Available |
Hofmann & Czerny | 1903 | Hofmann | Vienna, Austria | Grand+Upright | 150 | 60-80 | Very high quality baby grand pianos with rich tone and well weighted touch |
Hopkinson | 1835 | Hopkinson; after about 1990 by Bentley | London, England | Grand+Upright | 10000 | 45-65 | Very common British make. Older ones overdampers Video Available |
I | |||||||
Ibach | 1794 | Ibach | Germany | Grand+Upright | 15000 | 50-80 | WE RESTORE ALL IBACH PIANOS. Older ones overdampers but good. Grands generally fine quality Video Available |
K | |||||||
Kaps | 1980 | Ernst Kaps | Dresden, Germany | Grand+Upright | 2000 | 55-75 | Mainly one height (130cm) of quality upright piano made from about 1898 to 1930 Video Available |
Kastner | 1920 | Barratt and Robinson | London, UK | Upright | 700 | 45-55 | Mostly small modern uprights 1960-1970. A few older ones 1890-1930 |
Kawai | 1930 | Kawai | Hamamatsu, Japan | Grand+Upright | 10000 | 55-85 | Japanese pianos (later ones made elsewhere too) of generally good quality Video Available |
Kemble | 1911 | Kemble | Milton Keynes, England | Grand+Upright | 120000 | 55-78 | Varied in quality but best are very good Video Available |
Kimball | 1857 | The Kimball Piano co | USA | Grand+Upright | 55-65 | Those in the UK 1960-70 small uprights | Those in the UK 1960-70 small uprights |
Kirkman | 1730 | Kirkman, Collard | London, UK | Grand+Upright | 500 | 30-55 | Mostly very old British pianos. Many grands |
Knight | 1936 | Knight | London, UK | Grand+Upright | 30000 | 58-80 | Respected British maker. Best between about 1960 and 1980 Video Available |
L | |||||||
Lindner | 1960 | Lindner | Shannon, Ireland | Upright | 1000 | 35-50 | Irish pianos with revolutionary plastic action for which no spares are readily available |
Lipp, Richard | 1831 | Lipp; modern ones by Bentley Piano co | Stuttgart, Germany | Grand+Upright | 6000 | 55-90 | WE RESTORE ALL LIPP PIANOS. They are made with great integrity. Rich warm tone. Baby and boudoir grands generally excellent Video Available |
M | |||||||
Marshall and Rose | 1907 | Whelpdate, Maxwell & Codd | London, UK | Grand+Upright | 400 | 50-65 | British pianos of medium quality |
Mason & Hamlin | 1854 | Mason & Hamlin | Massachusetts, USA | Grand+Upright | 100 | 55-80 | Well made modern pianos; design of older grands show remarkable similarity to Steinway |
Mickleburgh | 1903 | Mickleburgh | Bristol, England | Upright | 2500 | Unknown | Shop name; mainly low to medium quality uprights 1900-1930 |
Minstrelle | 1877 | Barratt and Robinson | England | Upright | 300 | 40-50 | Small pianos made by Barratt and Robinson |
Monington and Weston | 1858 | Monington and Weston | London, UK | Grand+Upright | 18000 | 50-65 | Many low quality baby grands made with “simplex” actions. Uprights can be very good Video Available |
Moore and Moore | 1838 | Moore & Moore, then Kemble | Stoke Newington, UK | Grand+Upright | 1500 | 50-58 | Pre 1933 mostly tallish traditional cases |
Morley, Robert | 1881 | Morley | Lewisham, London | Grand+Upright | 40000 | 50-55 | Fair quality British pianos |
Murdoch | 1862 | Spencer & Murdoch | London, UK | Grand+Upright | 2000 | 35-55 | Common basic British pianos |
N | |||||||
Neindorf | 1900 | Neindorf, Gebr | Luckenwald, Germany | Grand+Upright | 2000 | 50-55 | Mostly traditional upright and baby grand pianos |
Neumeyer | 1905 | Neumeyer | Berlin, Germany/Modern ones made in China | Grand+Upright | 5000 | 50-65 | Mid-range German pianos. Best ones have rich warm tone Video Available |
Niemeyer | 1890 | Dongbei Piano Co | Korea & Germany | Grand+Upright | 400 | 45-55 | Low to mid range German pianos Video Available |
Nordiska | 1985 | from about 1988: DongBei Piano Group Co | originally Vetland, Sweden | Upright | 800 | 50-60 | Mostly modern Sweedish uprights in the UK 1960-1970; from about 1988: Chinese |
O | |||||||
Osbert | W. H. Barnes | London, UK | Upright | 200 | 55 - 60 | Traditional uprights with reasonable tone; some overdampers |
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P | |||||||
Papps | 1900 | Papps | Portsmouth, England | Grand+Upright | 2000 | 35-50 | Mostly basic uprights. Portsmouth firm; pianos around 1900 - 1930 with specially designed metal wrest plank for environments with varying humidity; some modern uprights too. Video Available |
Pearl River | 1955 | Guangzhou Piano Factory | Guangzhou, China | Grand+Upright | 2000 | 45-70 | Huge variety; older ones (1990s) varied. |
Petrof | 1864 | The Petrof Factory | Hradec Kralove, Czechoslovakia | Grand+Upright | 1500 | 60-70 | Wide range of quality in uprights. Some early baby grands are outstanding |
Pfeiffer | 1862 | Pfeiffer | Stuttgart, Germany | Upright | 100 | 55-70 | Fair quality upright pianos Video Available |
Pleyel | 1807 | Pleyel | Prais, France | Grand+Upright | 2000 | 45-68 | Much varied in quality from this French maker |
R | |||||||
Reid Sohn | 1859 | Samick Factory | Korea | Grand+Upright | 8000 | 45-60 | Large Korean factory |
Reisbach | 1920 | Rogers | London, UK | Grand+Upright | 800 | 50-65 | Fair quality British pianos made by Rogers with influence from Grotrian Steinweg |
Rippen | 1937 | Rippen | Frankeneng, Holland | Grand+Upright | 900 | 50-65 | Generally well made pianos |
Ritmüller | 1795 | Pearl River | Gottingen, Germany | Grand+Upright | 2000 | 55-70 | Old ones mostly tall traditional Video Available |
Ritter S. | 1828 Germany 1995+ China | Hangzhou Weidun Industrial Co. Ltd | China | Grand+Upright | 1000 | 50-60 | Basic modern pianos of varied quality |
Rogers, George | 1843 | Rogers | London, UK | Grand+Upright | 16000 | 55-70 | Good factory with long history. Older ones may not be worth reconditioning |
Ronisch | 1846 | Pfeiffer / Bluthner | Dresden, Germany | Grand+Upright | 1000 | 45-75 | Older ones very well made. Modern ones more varied |
Russel (and Russell) | 1842 | Russell and Russell | London, UK | Upright | 1000 | 45-58 | Honestly made cheaper uprights mainly from early 1900s |
Russell, George | 1842 | R&R | London, UK | Upright | 2000 | 50-55 | Mostly basic straight-strung overdamped pianos, well made with a good tone |
S | |||||||
Sames | Unknown | F.Mills & Co. | Scotland | Grand+Upright | 1200 | 50-55 | Mostly Overstrung upright pianos Video Available |
Samick | 1989 | Samick | Korea/ Indonesia | Grand+Upright | 10000 | 45-60 | Large Korean factory |
Sauter | 1819 | C. Sauter & Co. | Spainchingen, Germany | Grand+Upright | 10000 | 58-78 | Well made German uprights and grands |
Schiedmayer | 1809 | J.and P.Scheidmayer | Neckarstrasse, Germany | Grand+Upright | 10000 | 58-78 | WE RESTORE SELECTED SCHIEDMAYER PIANOS. Well made German uprights and grands Video Available |
Schimmel | 1885 | W. Schimmell | Neuschonefeld, Germany | Grand+Upright | 4000 | 55-68 | Mid-range German uprights and grands Video Available |
Seiler | 1849 | Eduard Seiler | Liegnitz, Germany | Grand+Upright | 8000 | 58-78 | Well made German uprights and grands Video Available |
Spencer | 1883 | John Spencer & Co | London, UK | Upright | 10000 | 45-62 | Common British maker from about 1900 to 1940. Modern ones from different factories |
Squire and Longson | 1910 | Kemble | London, UK | Grand+Upright | 10000 | 50-60 | Mid range British pianos |
Steck | 1857 | Aeolian Weber & Pianola Co | Cassel, Germany | Grand+Upright | 8000 | 55-70 | Uprights have warm tone; baby grands vary in quality Video Available |
Steinberg | 1908 | various + Steinberg & Co | various locations | Grand+Upright | 2000 | 60-75 | Huge variety; some older English and German pianos, some modern German and Chinese. |
Steingraeber & Söhne | 1852 | Eduard Steingraeber | Bayreuth, Germany | Grand+Upright | 250 | 70-90 | Mostly grands, see own page Video Available |
Steinway | 1853 | Steinway & Sons | Various | Grand+Upright | 65000 | 60-95 | WE RESTORE ALL STEINWAY PIANOS. Best known top piano maker. Mostly German Steinways found in the UK Video Available |
Strohmenger & Sons | 1835 | Chappell | London, UK | Grand+Upright | 5000 | 50-65 | Good quality British pianos |
Stuart & Sons | c1990 | Stuart Piano Co | Australia | Grand | 5 | 75-90 | Hand made top quality grands |
W | |||||||
Waddington | 1838 | Waddington | London, UK | Upright | 300 | 45-55 | Basic British piano, can have a reasonable tone. Grands basic Video Available |
Waldemar | 1900 | Waldemar | Berlin, Germany | Upright | 600 | 45-55 | Mostly traditional walnut upright overstrung overdampers with warm tone |
Waldstein | c1895 (old) 1956 (modern) | Pearl River | China | Grand+Upright | 11000 | 45-58 | Modern Chinese Waldsteins are nothing to do with the older pianos; they only share the name. |
Weber | 1860 | Various | London, England & Far East | Grand+Upright | 6000 | 46-68 | Older ones well made. Modern ones made in the Far East |
Welmar | 1925 | Welmar | London, UK | Grand+Upright | 25000 | 55-75 | WE RESTORE ALL WELMAR PIANOS. Good quality British pianos. Older uprights varied. Baby grands copy of Bluthner. Video Available |
Wendl and Lung | 1920 | Wendl & Lung | China | Grand+Upright | 800 | 60-75 | Mostly modern pianos 2003 to 2011 Video Available |
Windover | 1877 | Smith | Manchester & London, UK | Grand+Upright | 1000 | 45-60 | Mostly mahogany overstrung underdamper pianos made 1900 – 1930. |
Witton and Witton | 1838 | Witton and Witton | London | Grand+Upright | 800 | 45-60 Modern ones not rated | Uprights fair; grands can cause problems |
Y | |||||||
Yamaha | 1887 | Yamaha | Japan | Grand+Upright | 50000 | 48-90 | Most prolific maker in the world. Huge range in quality Video Available |
Young Chang | 1956 | Young Chang | Seoul Korea | Grand+Upright | 8000 | 45-60 | Large Korean factory |
Z | |||||||
Zender | 1892 | Various factories | London, UK | Grand+Upright | 20000 | 48-60 | Always very small pianos; Over 70,000 made in the UK, mostly 60s to 80s |
Zimmermann | 1884 | Zimmermann | Germany | Grand+Upright | 2000 | 47-70 | Mostly modern baby grands and uprights of low to medium quality |